{"id":6975,"date":"2026-03-21T07:44:54","date_gmt":"2026-03-21T05:44:54","guid":{"rendered":"https:\/\/minac.ro\/?p=6975"},"modified":"2026-03-21T07:44:54","modified_gmt":"2026-03-21T05:44:54","slug":"21-martie-vers-timp-si-ecou-cititi-ne-azi-maine-vom-fi-aforisme","status":"publish","type":"post","link":"https:\/\/minac.ro\/en\/21-martie-vers-timp-si-ecou-cititi-ne-azi-maine-vom-fi-aforisme\/","title":{"rendered":"21 martie \u2013 Vers, timp \u0219i ecou. \u201eCiti\u021bi-ne azi, m\u00e2ine vom fi aforisme\u201d"},"content":{"rendered":"

La \u00eenceput de prim\u0103var\u0103, c\u00e2nd \u0219i cuvintele par s\u0103 caute mai mult sens, 21 martie<\/strong> aduce cu sine celebrarea Zilei Interna\u021bionale a Poeziei. Instituit\u0103 de UNESCO, aceast\u0103 zi este un omagiu adus celor care, prin for\u021ba cuv\u00e2ntului, dau form\u0103 tr\u0103irilor interioare. Prin urmare, dedic\u0103m aceast\u0103 zi din calendarul istoric poeziei, ca mijloc de \u00eentoarcere spre izvoarele sensibilit\u0103\u021bii umane.<\/p>\n\n\n\n

Pentru spa\u021biul dobrogean \u0219i, \u00een mod particular, pentru Constan\u021ba, aceast\u0103 evocare se impune a porni de la figura fondatoare a exilului poetic: Publius Ovidius Naso<\/strong>, a c\u0103rui na\u0219tere am celebrat-o ieri. Considerat \u201eunicul poet de talent de la sf\u00e2r\u0219itul epocii clasice\u201d<\/em>, Ovidius \u00ee\u0219i afl\u0103 refugiul \u00een liric\u0103, Muza fiind cea care \u00eei alin\u0103 suferin\u021ba exilului, iar \u201eversurile lui Ovidius reprezint\u0103 pentru posteritate un document pre\u021bios: \u00een ele afl\u0103m poezie \u0219i istorie \u2013 a evenimentelor \u0219i a oamenilor – , geografie \u0219i literatur\u0103, mitologie, cultur\u0103 \u0219i civiliza\u021bie\u201d<\/em>, dup\u0103 cum consemneaz\u0103 Livia Buzoianu \u00een cuv\u00e2ntul \u00eenainte al volumului bilingv (rom\u00e2n\u0103 \u0219i latin\u0103) \u201eEpistulae Ex Ponto \u2013 Scrisori din Pont\u201d<\/em><\/strong> (2019), publicat sub \u00eengrijirea speciali\u0219tilor Muzeului de Istorie Na\u021bional\u0103 \u0219i Arheologie Constan\u021ba.<\/p>\n\n\n\n

\u201eIar dac\u0103 din mul\u021bime se va g\u0103si vreunul<\/em><\/p>\n\n\n\n

S\u0103-\u0219i mai aduc-aminte, s\u0103-ntrebe cum o duc,<\/em><\/p>\n\n\n\n

S\u0103-i spui c\u0103 sunt \u00een via\u021b\u0103, dar mort sunt \u00eentre oameni,<\/em><\/p>\n\n\n\n

\u0218i, totu\u0219i, c\u0103 via\u021ba-mi e darul unui zeu.<\/em><\/p>\n\n\n\n

S\u0103 taci de-o s\u0103 te-ntrebe mai multe despre mine,<\/em><\/p>\n\n\n\n

\u0218i las\u0103-te citit\u0103; s\u0103 nu vorbe\u0219ti prea mult! (…)<\/em><\/p>\n\n\n\n

Senin c\u00e2nd e la suflet, atunci poetul c\u00e2nt\u0103:<\/em><\/p>\n\n\n\n

Pe sufletul meu \u00eens\u0103 nori negri s-au l\u0103sat.<\/em><\/p>\n\n\n\n

Singur\u0103tate cere \u0219i tihn\u0103 poezia:<\/em><\/p>\n\n\n\n

Pe mine m\u0103 arunc\u0103 furtunile pe m\u0103ri.<\/em><\/p>\n\n\n\n

C\u00e2nd scrii, s\u0103 n-ai vreo team\u0103: eu v\u0103d \u00een orice clip\u0103<\/em><\/p>\n\n\n\n

Cum sabia barbar\u0103 p\u00e2nde\u0219te capul meu.<\/em><\/p>\n\n\n\n

\u0218i \u00eenc\u0103-i de mirare c-am scris aceste versuri;<\/em><\/p>\n\n\n\n

Tot  s\u0103 le citeasc\u0103 un critic iert\u0103tor\u201d<\/em><\/p>\n\n\n\n

                                                \u2013 <\/em>Publius Ovidius Naso, Tristia (Tristele), Cartea I<\/strong><\/p>\n\n\n\n

Ecoul versurilor lui Ovidius, scrise pe \u021b\u0103rmul Pontului Euxin, se prelunge\u0219te \u00een crea\u021biile unor personalit\u0103\u021bi locale precum Vasile Canarache<\/strong>, Ioan N. Roman<\/strong> and Gheorghe Dumitra\u0219cu<\/strong>, figuri reprezentative ale vie\u021bii culturale const\u0103n\u021bene, profund legate de institu\u021biile ora\u0219ului, printre care Muzeul de Istorie Na\u021bional\u0103 \u0219i Arheologie Constan\u021ba. <\/p>\n\n\n\n

 Istoric, arheolog \u0219i director al Muzeului Regional al Dobrogei (actualul Muzeu de Istorie Na\u021bional\u0103 \u0219i Arheologie Constan\u021ba), Vasile Canarache (1896-1969)<\/strong> a contribuit decisiv la organizarea \u0219i valorificarea patrimoniului istoric al provinciei dobrogene. Mai pu\u021bin cunoscut\u0103 este \u00eens\u0103 latura sa literar\u0103. \u00cen anii tinere\u021bii, pe c\u00e2nd avea doar 20 de ani, a publicat \u00een paginile ziarului \u201eVictoria\u201d (al c\u0103rui proprietar a fost) crea\u021bii lirice marcate de fr\u0103m\u00e2nt\u0103ri interioare, \u00een care marea, v\u00e2ntul sau cerul devin expresia unei sensibilit\u0103\u021bi l\u0103untrice, dominate de interoga\u021bii existen\u021biale. \u00cen rubrica \u201eLitere\u201d, Vasile Canarache a semnat poezii precum \u201eA\u0219tept\u00e2nd pe malul m\u0103rei\u201d, \u201e\u00centr-o noapte de iarn\u0103\u201d, \u201e\u00cen ochii t\u0103i e noapte\u201d, \u201eNu m\u0103 mai cuno\u0219ti\u201d, \u201eN-ai voit s\u0103 \u0219tie lumea\u201d, \u201ePl\u00e2nge marea c\u0103 nu vii\u201d, \u201e\u021ai-am c\u00e2ntat\u201d, \u201eV\u00e2ntul vie\u021bei\u201d, \u201eTrecutul\u201d<\/em>.<\/p>\n\n\n\n

\u201e<\/em>Norii vin \u0219i se destram\u0103 ca sf\u00e2r\u0219itul unui vis<\/em><\/p>\n\n\n\n

\u0218i se-mpr\u0103\u0219tie, cuprinde cerul mare, ne\u00eenvins;<\/em><\/p>\n\n\n\n

Plumburiu e tot v\u0103zduhul \u0219i-acest nou n\u0103scut abis…<\/em><\/p>\n\n\n\n

Se plec s\u0103lcii peste ape \u0219i troneaz\u0103 vijelie,<\/em><\/p>\n\n\n\n

Peste m\u0103ri \u00eentunecate groaznic\u0103 \u00eemp\u0103r\u0103\u021bie<\/em><\/p>\n\n\n\n

\u00ce\u0219i trimite oglindirea cu grozava-i seme\u021bie \u2013<\/em><\/p>\n\n\n\n

Tot pe m\u0103ri turbate valuri se izbesc \u0219i iar se sparg<\/em><\/p>\n\n\n\n

\u0218<\/em>‘<\/em>apoi duc \u00eembuchetarea spumegat\u0103 mai la larg<\/em><\/p>\n\n\n\n

O izbe\u0219te iar de maluri, de o st\u00e2nc\u0103 \u0219<\/em>‘<\/em>un catarg<\/em><\/p>\n\n\n\n

R\u0103t\u0103cit de nebunia v\u00e2ntului tulbur\u0103tor<\/em><\/p>\n\n\n\n

Ce cufund\u0103 \u0219<\/em>‘<\/em>apoi scoate ori \u0219i ce r\u0103t\u0103citor<\/em><\/p>\n\n\n\n

Peste marea m\u00e2nioas\u0103 \u0219i sub ceru<\/em>‘ <\/em>ngrozitor…\u201d<\/em><\/p>\n\n\n\n

Vasile Canarache – \u201ePastel\u201d, ziarul \u201eVictoria\u201d din 17.05.1916<\/strong><\/p>\n\n\n\n

Om de cultur\u0103 \u0219i lider local \u0219i jude\u021bean, spirit fondator al vie\u021bii culturale dobrogene, Ioan N. Roman (1866-1931)<\/strong> a cochetat, la r\u00e2ndul lui, cu lirica. Unicul s\u0103u volum de poezii a fost publicat \u00een 1895, \u00een perioada \u00een care \u00ee\u0219i desf\u0103\u0219ura activitatea publicistic\u0103 la Bucure\u0219ti. Ulterior mut\u0103rii \u00een Dobrogea, a continuat s\u0103 scrie versuri \u00een publica\u021biile vremii, sub pseudonimul Rozmarin. Reg\u0103sim crea\u021bii ce poart\u0103 aceast\u0103 semn\u0103tur\u0103 \u00een ziarul \u201eDobrogea Jun\u0103\u201d<\/em> \u0219i \u00een revista cultural-\u0219tiin\u021bific\u0103 Analele Dobrogei Journal<\/em> din 1920, precum \u201eUn glas iubit\u201d<\/em>, \u201eInim\u0103 de mam\u0103\u201d<\/em>, \u201eRug\u0103ciune\u201d<\/em> and \u201eOchii\u201d<\/em>.<\/p>\n\n\n\n

                       \u201eNinge \u0219i ninge mereu \u2013 de-o s\u0103pt\u0103m\u00e2n\u0103 a tot nins,<\/em><\/p>\n\n\n\n

                        Albul ve\u0219m\u00e2nt de om\u0103t pe dep\u0103rt\u0103ri s<\/em>‘<\/em>a \u00eentins;<\/em><\/p>\n\n\n\n

                       Cerul e sur, plumburiu, iar \u00eentre cer \u0219i p\u0103m\u00e2nt<\/em><\/p>\n\n\n\n

                       Necontenit se tot cern valuri purtate de v\u00e2nt.<\/em><\/p>\n\n\n\n

                       \u00cenc\u0103 de mult la ora\u0219 corbii sosit-au \u00een stol<\/em><\/p>\n\n\n\n

                       \u0218i cronc\u0103nesc a pustiu \u2013 paznici ai drumului gol.<\/em><\/p>\n\n\n\n

                       Trunchiul salc\u00e2mului vechiu, de v\u00e2rf rotund r\u0103tezat,<\/em><\/p>\n\n\n\n

                       Pare-un b\u0103tr\u00e2n \u00een amurd, cu p\u0103rul alb \u0219i curat. (…)<\/em><\/p>\n\n\n\n

                       Singur, pe g\u00e2nduri perdut, stau \u00een odae la geam,<\/em><\/p>\n\n\n\n

                       \u0218i mi-i ur\u00e2t \u0219i mi-i frig, – nu mai \u0219tiu singur ce am;<\/em><\/p>\n\n\n\n

                      C\u00e2nd amintirile vagi, c\u00e2nd n\u0103zuin\u021bele vin,<\/em><\/p>\n\n\n\n

                      Cu ne<\/em>‘<\/em>n\u021belesul lor dor, cu nesf\u00e2r\u0219itul lor chin.\u201d<\/em><\/p>\n\n\n\n

Rozmarin \u2013 \u201eIanuarie\u201d, ziarul \u201eDobrogea Jun\u0103\u201d, 1929<\/strong><\/p>\n\n\n\n

Istoric, profesor universitar \u0219i om politic, Gheorghe Dumitra\u0219cu (1939-2017)<\/strong> s-a impus ca una dintre personalit\u0103\u021bile de referin\u021b\u0103 ale Dobrogei contemporane, dedic\u00e2ndu-\u0219i \u00eentreaga activitate cercet\u0103rii, educa\u021biei \u0219i afirm\u0103rii valorilor istorice na\u021bionale. Dincolo de rigoarea cercet\u0103rii, Gheorghe Dumitra\u0219cu se dezv\u0103luie \u0219i ca autor al unor volume de reflec\u021bie liric\u0103, \u201eParadoxuri lirice\u201d<\/em> (1995) \u0219i \u201eSpice dup\u0103 seceri\u0219\u201d<\/em> (2009). Discursul s\u0103u poetic se remarc\u0103 printr-o profunzime aparte, iar utilizarea paradoxului \u0219i ironia discret\u0103 transform\u0103 ideile aparent simple \u00een reflec\u021bii cu interpret\u0103ri multiple. Pe prima fil\u0103 a volumului \u201eParadoxuri lirice\u201d<\/em> este plasat\u0103 deviza \u201eCiti\u021bi-ne azi, m\u00e2ine vom fi aforisme\u201d<\/em>, expresie a convingerii c\u0103 poezia contribuie la conservarea memoriei \u0219i la transmiterea ideilor peste timp.<\/p>\n\n\n\n

\u201eSuntem \u021b\u0103ranul care, dintotdeauna,<\/em><\/p>\n\n\n\n

cu vechiul plug de lemn, cu cel de fier, a-ntors<\/em><\/p>\n\n\n\n

\u021b\u0103r\u00e2na,<\/em><\/p>\n\n\n\n

crez\u00e2nd de fiecare dat\u0103 c\u0103 cea de dedesubt e nou\u0103,<\/em><\/p>\n\n\n\n

de\u0219i doar el o acoperise, \u00een urm\u0103<\/em><\/p>\n\n\n\n

cu o toamn\u0103, dou\u0103.\u201d<\/em><\/p>\n\n\n\n

 Gh. Dumitra\u0219cu \u2013 \u201eG\u00e2nd cincisprezece\u201d, volumul \u201eSpice dup\u0103 seceri\u0219\u201d<\/strong><\/p>\n\n\n\n

\u201eDin tot ce-a fost c\u00e2ndva \u0219i nu mai este,<\/em><\/p>\n\n\n\n

re\u021binem c\u00e2te-un zvon, c\u00e2te-o poveste.<\/em><\/p>\n\n\n\n

\u0218i astfel mor\u021bile nu dor<\/em><\/p>\n\n\n\n

\u0219i moarte, numele nu mor.<\/em><\/p>\n\n\n\n

Cuvintele, chiar ele-s treze.<\/em><\/p>\n\n\n\n

C\u0103ci cei trecu\u021bi au ocrotit p\u0103m\u00e2ntul s\u0103-i p\u0103streze.<\/em><\/p>\n\n\n\n

Dar cine s\u0103 re\u021bin\u0103 fostele noastre g\u00e2nduri?<\/em><\/p>\n\n\n\n

P\u0103m\u00e2ntul ni-i ostil, p\u0103durea n-are sc\u00e2nduri,<\/em><\/p>\n\n\n\n

H\u00e2rtia le refuz\u0103, se cancereaz\u0103-n vid<\/em><\/p>\n\n\n\n

Memoria ce curge de pe celuloid…<\/em><\/p>\n\n\n\n

Gh. Dumitra\u0219cu \u2013 \u201ePoem dou\u0103zeci\u201d, volumul \u201eSpice dup\u0103 seceri\u0219\u201d<\/strong><\/p>\n\n\n\n

\u00cencheiem fila de calendar cit\u00e2ndu-l pe poetul \u0219i sociologul Constantin L\u0103mureanu (1949-2017)<\/strong>; se impune s\u0103-l invoc\u0103m, \u00een special ast\u0103zi, \u0219i pentru c\u0103 s-a n\u0103scut \u00eentr-o zi de 21 martie<\/strong>, \u00een \u201eprima zi a anului zodiacal, \u00een jurul pr\u00e2nzului\u201d<\/em>: \u201eO carte de poezie se cite\u0219te fie de la un cap\u0103t la altul, fie la \u00eent\u00e2mplare, a\u0219a cum se deschide Biblia pentru a proroci ce urmeaz\u0103 s\u0103 se \u00eent\u00e2mple \u0219i nu c\u0103ut\u00e2nd un anume poem dup\u0103 cuprinsul ei. Poemele c\u0103utate au, de obicei, \u00een c\u0103r\u021bile de poezie citite, semnele lor: se deschide cartea singur\u0103 acolo!\u201d.<\/em><\/p>\n\n\n\n

Reclam\u0103 \u2013 Cump\u0103ra\u021bi cadouri de logodne \u0219i nun\u021bi, verighete, cercei, br\u0103\u021b\u0103ri, ceasornice, Omega, Longines 8 zile, lan\u021buri medalioane numai dela Ceasornic\u0103ria \u201eOMEGA\u201d. Str. \u0218tefan cel Mare No. 42 \u2013 Constan\u021ba. Atelier special de repara\u021biuni (Dobrogea Jun\u0103, 1929)<\/strong><\/p>\n\n\n\n

Sursa foto: \u201eOvidiu \u00een exil\u201d, ulei pe carton \u2013 Ion Theodorescu-Sion, 1915<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

La \u00eenceput de prim\u0103var\u0103, c\u00e2nd \u0219i cuvintele par s\u0103 caute mai mult sens, 21 martie aduce cu sine celebrarea Zilei Interna\u021bionale a Poeziei. Instituit\u0103 de UNESCO, aceast\u0103 zi este un omagiu adus celor care, prin for\u021ba cuv\u00e2ntului, dau form\u0103 tr\u0103irilor interioare. Prin urmare, dedic\u0103m aceast\u0103 zi din calendarul istoric poeziei, ca mijloc de \u00eentoarcere spre […]<\/p>\n","protected":false},"author":3,"featured_media":6969,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[92],"tags":[91,86,84,85],"class_list":["post-6975","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-astazi-la-constanta","tag-constanta","tag-istorie","tag-minac","tag-muzeu"],"_links":{"self":[{"href":"https:\/\/minac.ro\/en\/wp-json\/wp\/v2\/posts\/6975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/minac.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/minac.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/minac.ro\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/minac.ro\/en\/wp-json\/wp\/v2\/comments?post=6975"}],"version-history":[{"count":1,"href":"https:\/\/minac.ro\/en\/wp-json\/wp\/v2\/posts\/6975\/revisions"}],"predecessor-version":[{"id":6976,"href":"https:\/\/minac.ro\/en\/wp-json\/wp\/v2\/posts\/6975\/revisions\/6976"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/minac.ro\/en\/wp-json\/wp\/v2\/media\/6969"}],"wp:attachment":[{"href":"https:\/\/minac.ro\/en\/wp-json\/wp\/v2\/media?parent=6975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/minac.ro\/en\/wp-json\/wp\/v2\/categories?post=6975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/minac.ro\/en\/wp-json\/wp\/v2\/tags?post=6975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}